
#2564 – Chuck Lorre
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Is this joke unfinished, or is the premise dead?
Comedy writing involves uncertainty about whether a joke needs another pass or whether its central idea simply won't work. Endless revision can protect a bad premise, while abandoning too quickly can waste something promising. What signals help creators tell the difference between a fixable execution problem and a premise worth dropping?
After Poddy editorial starter Based on selected transcript passages.
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